Module: Theory & Ear Training
Keys and Key Signatures
Understand key centers and how to transpose progressions.
Lesson objectives
- Identify major and minor key centers.
- Understand the major scale W-W-H pattern.
- List the diatonic chords of C major.
Module: Theory & Ear Training
Understand key centers and how to transpose progressions.
Lesson objectives
A key is a home base. It tells you which seven notes are in play, which chord feels like resolution, and why certain chord progressions work so consistently across thousands of songs.
When you say a song is in C major, you're saying that the note C feels like "home" - the resting point. The other notes in C major (D, E, F, G, A, B) create varying degrees of tension that pull back toward C. That pull-and-release is what makes music feel like it goes somewhere.
Every major key has exactly seven notes, arranged with the same pattern of whole and half steps. Change the starting note and you get a different key - but the pattern stays the same.
The major scale follows this pattern of whole (W) and half (H) steps:
W-W-H-W-W-W-H
Starting on C: C (W) D (W) E (H) F (W) G (W) A (W) B (H) C.
Starting on G: G (W) A (W) B (H) C (W) D (W) E (W) F# (H) G. The F# is required to maintain the pattern.
Each key requires specific sharps or flats to keep its interval pattern intact. C major needs none. G major needs one sharp (F#). D major needs two (F# and C#). F major needs one flat (Bb).
For practical playing, start with the keys most common on ukulele: C, G, F, D, and A. These cover the majority of songs you'll encounter.
Each note in a key generates a chord when you stack thirds above it. In C major:
The I-IV-V-I progression appears in thousands of songs precisely because these chords share notes and create natural tension and resolution. Am (the vi chord) is the "relative minor" - it uses the same notes as C major but centers on A instead.
Listen for the chord that sounds most settled - the one where the music could comfortably stop. That's usually the I chord. If the song uses C, F, and G mostly, you're in C major. If it uses Am, F, C, and G, you're likely in C major but emphasizing the vi chord.
Play C, F, and G chords on your ukulele and end on C. Listen to how C feels like the finish line. Now play the same chords but end on G. Notice the tension - G wants to resolve back to C. Play with that feeling: leave the phrase on G, wait a second, then resolve to C. That's the dominant-to-tonic pull working in real time.
Next up: How Chords Are Built - using intervals and scale knowledge to understand why chord shapes are what they are.