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14,015 TRANSITIONS ANALYZED#1 at 23%: Which Transition?We analyzed 14,015 chord transitions and ranked the 100 most repeated ones. Even the first 10 will transform your practice routine. The top transition appears in 23% of all songs.

Kenny Rogers - Ruby, Don’t Take Your Love to Town Ukulele Chords

DATA-DRIVENWhich Chord Comes Next?Learn the most likely chord transitions on the ukulele and start playing songs with confidence.
ChordsC, G, Dm, F, Am
Strumming↓-↓↑-↑↓↑

Before you play, tune your ukulele and use the tools below to set up your view and flow.

CYou’vepaintedupyourlipsandrolledand
curledyourtintedGhairDm
CRubyareyoucontemplating
Fgoingout Gsomewhere
TheDmshadowonthewalltellsme
theGsunisgoingdownDm
OhCRuby-y-yDm
Don’ttakeyourlovetoCtown
ItDmwasn’tmethatstartedthatoldCcrazyAsianwar
ButDmIwasproudtogoanddomyFpatrioticGchore
AndDmyes,it’struethatI’mnottheGmanIusedtobeDm
OhCRuby-y-yDm
Istillneedsome Ccompany
It’sChardtoloveamanwhoselegsareFbentand GparalyzedDm
andtheCwantsandtheneedsofawomanofyourage
FRuby,I Grealize
ButitDmwon’tbelongI’veheardthemsay GuntilI’mnotaroundDm
OhCRuby-y-yDm
Don’ttakeyourlovetoCtown
CShe’sleavingnow’causeIjustheardtheDmslammin’oftheGdoor
TheCwayIknowI’vehearditslamoneFhundredtimes Gbefore
AndifDmIcouldmoveI’dgetmygunandGputherinthegroundDm
OhCRuby-y-yDm
Don’ttakeyourlovetoCtown
OhCRuby-y-yDm
ForGod’ssaketurn Caround
SONG DATA3 Chords, 200 Chains, 1 BookDiscover the most-used three-chord combinations in songs and build real command on the ukulele.
14,015 TRANSITIONS ANALYZED#1 at 23%: Which Transition?Master ukulele today with the 100 most repeated chord transitions from 14,015 analyzed.
ArtistKenny Rogers
AlbumTen Years of Gold
GenresCountry
Year1978
KeyC
DifficultyEasy

How to play Ruby, Don't Take Your Love to Town on Ukulele (Step-by-step)

Kenny Rogers - Ruby, Don't Take Your Love to Town on ukulele requires 5 chords and 8 core chord transitions. You can find the full step-by-step guide below. Before you start, tune your instrument. The song uses the ↓-↓↑-↑↓↑ pattern; practice it muted first, or simplify to downstrokes while you learn the changes.

Ruby, Don't Take Your Love to Town uses these transitions most often: Dm → C (12), G → Dm (10), and C → F (9). These transitions may feel a little challenging at first, but with steady practice you can play this song quickly.When you are ready, begin with C - G chord transition.

1. C → G chord transition

Ukulele C chord diagram Fingering: 0-0-0-3Ukulele C chord diagram
Ukulele G chord diagram Fingering: 0-2-3-2Ukulele G chord diagram

To move from C to G:

  1. Lift your ring finger from A string fret 3 and place it on E string fret 3.
  2. Place index finger on C string fret 2.
  3. Place middle finger on A string fret 2.

This transition appears in the section.

C to G

2. G → Dm chord transition

Ukulele G chord diagram Fingering: 0-2-3-2Ukulele G chord diagram
Ukulele Dm chord diagram Fingering: 2-2-1-0Ukulele Dm chord diagram

Switching from G to Dm:

  1. Lift your index finger from C string fret 2 and place it on E string fret 1.
  2. Slide your middle finger from A string fret 2 to G string fret 2.
  3. Lift your ring finger from E string fret 3 and place it on C string fret 2.

This transition appears in the section, played 10 times.

G to Dm

3. Dm → C chord transition

Ukulele Dm chord diagram Fingering: 2-2-1-0Ukulele Dm chord diagram
Ukulele C chord diagram Fingering: 0-0-0-3Ukulele C chord diagram

To move from Dm to C:

  1. While playing Dm, first lift your index finger and middle finger.
  2. Lift your ring finger from C string fret 2 and place it on A string fret 3.

This transition appears in the section, played 12 times.

Dm to C

4. C → F chord transition

Ukulele C chord diagram Fingering: 0-0-0-3Ukulele C chord diagram
Ukulele F chord diagram Fingering: 2-0-1-0Ukulele F chord diagram

Here's how to move from C to F:

  1. While playing C, lift your ring finger from A string fret 3.
  2. Place index finger on E string fret 1.
  3. Place middle finger on G string fret 2.

This transition appears in the section, played 9 times.

C to F

5. F → G chord transition

To move from F to G:

  1. Lift your index finger from E string fret 1 and place it on C string fret 2.
  2. Slide your middle finger from G string fret 2 to A string fret 2.
  3. Place ring finger on E string fret 3.

This transition appears in the section, played 5 times.

6. F → Am chord transition

To move from F to Am:

  1. While playing F, lift your index finger from E string fret 1.
  2. Keep middle finger on G string fret 2.

This transition appears in the section, played 5 times.

7. Am → Dm chord transition

Switching from Am to Dm:

  1. Keep middle finger on G string fret 2.
  2. Place index finger on E string fret 1.
  3. Place ring finger on C string fret 2.

This transition appears in the section, played 5 times.

8. Dm → F chord transition

To move from Dm to F:

  1. While playing Dm, lift your ring finger from C string fret 2.
  2. Keep index finger on E string fret 1.
  3. Keep middle finger on G string fret 2.

This transition appears in the section.

Ruby, Don't Take Your Love to Town chord transition analysis

A short, data-driven summary of the chord flow in Ruby, Don't Take Your Love to Town.

  • Ruby, Don't Take Your Love to Town includes 57 chord transitions, 8 of them unique.
  • These transitions represent 0.01% of all chord transitions in Ukulelearn.
  • Ruby, Don't Take Your Love to Town contains 4 of the top 10 transitions across Ukulelearn.
  • These transition patterns show how Ruby, Don't Take Your Love to Town connects to the rest of Ukulelearn. Mastering them helps you move to similar songs faster.
    After Dm, the most likely next chords across Ukulelearn are C (18%), G (16%), and Am (14%).
    • Dm → C: 18%
    • Dm → G: 16%
    After C, the most likely next chords across Ukulelearn are G (35%), F (16%), and D (11%).
    • C → G: 35%
    • C → F: 16%
SONG DATA3 Chords, 200 Chains, 1 BookThe 200 most popular three-chord chains extracted from real songs. See which songs use each chain, learn the finger transitions, and expand your repertoire with patterns that actually matter.